What makes a great follower? Your tips for social dancers! (Poll results)

What makes a great follower? Your tips for social dancers! (Poll results)

A great follower is patient with the lead and allows them time to make decisions about what moves they wish to execute, without trying to lead themselves. -Rose, Ireland

Dance as one even when you are doing something separately. -Sophie, USA

Being able to understand and respond to the the shape of the music and the motion of the leader. -Anonymous

I love when girls ask guys to dance, especially when they're beginners. -Henning, Germany

What are the qualities of a great follower? How can one become the most wanted follower of the dance floor? What is following really all about? This is what I set out to discover when I asked you "what makes a great follower in social dancing?" And Zouk The World's readers certainly did not fail me.

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What makes a great leader (in social dance)? Poll results

What makes a great leader (in social dance)? Poll results

"In some types of partner dance, lead and follow are designations for the two dancers comprising a dance couple."
"The lead is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The lead conveys his choices and direction to the follow through subtle physical and visual signals, thereby allowing the couple to be smoothly coordinated." Wikipedia

If you look at the above description of a lead, the task seems concise and maybe even fairly simple. Leading is not rocket science. But being 'a great leader'.... ask any follower and you'll get a long list of things (or perhaps, a long silence). 

In the last month's poll we asked you to tell in your own words, what makes a great leader (in social dancing)?

Leaders; Do you recognize yourselves - your leading - in these words:

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What music pulls Zoukers to the dance floor? Poll results

What music pulls Zoukers to the dance floor? Poll results

You know that feeling when you just can't sit still; this urge that you need to wiggle your body right now? What is that irresistible thing that makes a person - no matter their age or shape - want to move their feet or shake their booty?

It's the music. 

For me music definitely is the thing that pulls me to the dance floor like a magnet. And the delicious tum-tchik-tchik of the zouk beat is what has been driving people to learn Brazilian zouk, just as much as the dance itself - or even more.

Zouk music or in the context of this post, zoukable music, encompasses a very broad range of music styles. For one person their favorite music to dance zouk to can be Wiggle by Jason Derulo, for another person it can be Gravity by Sara Bareille and for another it might be Lambazouk by Gil Semedo. All of those (and more) goes easily in the spectrum of "music for Brazilian zouk". And that's one of the things that makes Brazilian zouk such an intriguing dance: all the variety, all the marvelous options and suggestions different styles of music can provide. The sheer volume of inspiration that can be drawn from the music is hard to put into words. And music evolves, so does Brazilian zouk. 

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Why do you dance? Poll results

Why do you dance? Poll results

Why do you dance?
Is that an easy or a hard question?

To me, it’s quite a tough question. And I love tough questions! Especially asking them (hehe). So that’s what I asked you last month! In November’s Poll of the Month I asked you to tell us why do you dance, and more specifically, what is the most rewarding aspect to you in dancing. No multiple choices this time, just a chance for you to share your own dance motivations!

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Salsa vs. Zouk

Salsa vs. Zouk

You might remember from last year that I started a new chapter in my dance adventures: learning cross-body salsa. I spent the last four months of 2014 learning the salsa basics and ended the year feeling quite excited about my new dance skills. My spins were faster than ever, coordination and balance improved, following skills renewed and generally I feel superb. And utterly confused.

But I had no time to feel renewed or confused. Almost straight from my last salsa class I flew to Brazil for a month of zouking, all day and night. I quite literally had to zouk the salsa out of me and fast! It didn’t take long to sink back in my comfort zone - into the arms of the fantastic Brazilian zouk dancers. The month in Brazil was like a month in *sigh* heaven, to put it short. After coming back home from Brazil I dove further back into zouk. After the bliss of Brazil I didn’t really miss salsa all that much - the zouk tunes were calling to me like sirens luring sailors to shipwreck.

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In the flow - 5 keys to the magic of dance flow (Part 1)

In the flow - 5 keys to the magic of dance flow (Part 1)

Flow is a moment in time when you’re both challenged at the activity that you’re doing, and when you also have complete autonomy in the task you’re conducting.
Everett Bogue, in The Hidden Art of Achieving Creative Flow.

Have you experienced flow? Dance flow? Creative flow?

I have. One thing that's so great about dancing - and dancing zouk is what I'm writing about here in particular - is the flowing motion. When you're in the dance flow, you will certainly have one of the most pleasurable moments on the dance floor (or anywhere).

It is when we act freely, for the sake of the action itself rather than for ulterior motives, that we learn to become more than what we were. 
Mihaly Csikszentmihalyi, in his book Flow: The Psychology of Optimal Experience.

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How to improve your musicality? 6 exercises for dancers (part 2)

 How to improve your musicality? 6 exercises for dancers (part 2)

From theory to practice - how can you improve your musicality? 

“And if the music's good, you dance."
- Unknown

Perhaps you've taken a musicality workshop with your dance teacher or at a congress, and you have already an idea how to work on your musicality (I fully recommend taking workshops and private classes!). But there's plenty of exercises you can do on your own, and this will allow really to dig into details and work at your own pace. Below a collection of exercises that will flex your musical muscles! I hope you'll find these tools useful - I've worked with a variation and combination of these over the years and I feel they've helped me.

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Getting a grip with musicality - the most vague and insightful part of dancing (part 1)

Musicality is to me one of the most important aspects of dancing. The best dance partners are gifted in many respects; technique, style, connection and they are overall great people. Musicality is one important trait among those, it helps an otherwise good dancer rise to an extraordinary dancer. And for me it's the thing that makes the magic happen on the dance floor.

In the words of ballet teacher Deborah Wingert. “Musical dancers don’t just turn until they stop. They turn until they have to move on to the next point in the music. Musical dancers never get so caught up in steps that they ignore the music.”

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